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Memories and Musings

12.6.12 Woman + Body, South Korea

1/9/2020

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Hye-Seong Tak Lee, a Korean Women's Caucus for Art Member-At-Large, independent curator, artist and lecturer at Gwangju University, spontaneously flew over to Los Angeles for the Women's Caucus for Art Conference and, in particularly, to attend the inaugural meeting for the newly formed International Caucus, for which I was the Director. She had no room at the hotel, so I offered her my extra bed. What she added to this already whirlwind of a kickoff, was a proposal for a collaboration between WCA artists and Korean women artists for exhibitions in South Korea. I had never directed an exhibition, especially an international one, but, my natural instincts to say YES and have faith in my abilities as a quick learner won out. This conference was in February of 2012 and the exhibitions, just concluded!

With Priscilla Otani's guidance, and many odd-hour conversations with Hye-Seong, with her as director and me as co-director, we tackled the complicated international logistics:
  • Curated works from 1st and 2nd wave feminists there.  Hye-Seong's goals were to 1) build stronger bridges between these groups. [Due to the later struggle for democracy in her country, feminist movements had more recently formed there versus more generations in the US.] and 2) bring this longer US feminist tradition to her country via artists and art works. 
  • Juried works from US-based artists with art historian Dr. Tanya Augsburg agreeing to be our juror. 
  • A quick Call for Art, shipping logistics, funding.... 

The works of nineteen US artists (including my Skin Muscle Sinew video) and seventeen South Korean artists came together for a beautiful and dialogue provoking exhibition. Elaine Alibrandi joined me for the show at the Kepco Gallery in Seoul. Priscilla flew to Gwangju for the later show there. 

Woman + Body explored the range of sexual identification - female, transgender, and male - with a contemporary, 21st century view. The subject of the female body was well-explored in the 1960's and produced many discourses in the 90's, related to such issues as AIDS, cosmetic surgery, stereotyping and discrimination, but what is new? 
1) Woman's Body as Subject: unabashed exploration of women's bodies and women's desires- unaltered, unadulterated images that set a new standard of beauty. 
2) Transformation and Crossover: Bodies altered through cosmetics, cosmetic surgery, tattoos, sex change, cross dressing, costuming and other means to achieve a metamorphosis. 
3) Man's Body as Subject: a woman's view of the male body - affectionate, lustful, critical, envious. 

There was little English spoken, but, somehow, even when Hye-Seong was not there to translate, we communicated our collective thoughts on living as self-identified women. Shared meals and a night of Karaoke (with many repeats of the song "Gangnam Style", since we were in the Gangnam section of Seoul and the song is bi-lingual) broke down many barriers. The obvious matriarch of the South Korean artists was Park Youngsook, who graciously toured us around the Bukchon Hanok Village historic area and invited us to tea. 

The short time line for this project was crazy-making, but the end product and the reception by the women artists there were deeply rewarding. 

I created a video of the exhibitions: vimeo.com/99755522
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© 2011 Sherri Cornett
  • HOME
  • WORKS
    • TRANSFORMATIONS
    • FREEDOM SERIES
    • PUBLIC ART
    • GROTTOES
    • CHRYSALIS
    • COLLABORATIONS
    • LENS BASED ART
    • ANCESTRESSES & WISE WOMEN
    • SEAFORMS
    • SHELTERS
  • PROJECTS
    • TRANSFORMATIONS at Kirks for Kirks
    • UNITAS youth art and leadership
    • WHAT IS IT ABOUT MY MEMORY Community Engaged Installation >
      • MEMORY CARDS What Is It About My Memory
      • SOMAS What Is It About My Memory
      • EXHIBITIONS What Is It About My Memory
    • FOOD and CULTURE HUB East Helena
    • THE 2020 AWAKENING BILLINGS For Freedoms 2020 >
      • THE2020AWAKENING BILLINGS Robert Hall on Blood Quantum
      • THE2020AWAKENING BILLINGS Indigenous Voices Films and Filmmakers Panel
      • THE2020AWAKENING BILLINGS MMIP Community Gathering
      • THE2020AWAKENING BILLINGS REDRess Exhibit
      • THE2020AWAKENING BILLINGS Seeing Patterns Exhibition
      • THE2020AWAKENING BILLINGS Related Events
      • THE2020AWAKENING BILLINGS Partners and Presenters
    • FOR FREEDOMS Billings >
      • FOR FREEDOMS Billings 2018 Partners and Presenters
    • COMMUNITY GROVE
    • CONVERSATIONS AMONG WOMEN
    • FLOW Interactive Exhibition and Community Project >
      • EXHIBITION Flow
      • VOICES OF THE RIVER SYMPOSIUM Flow
      • MIXING OIL and WATER Film Night and Discussion Flow
      • WORDS ON WATER: POETRY AND JAZZ IN CONCERT Flow
      • LIVING IN HARMONY ON THE YELLOWSTONE Flow
      • YOUTH OUTREACH Flow
      • READING AREAS MSUBillings Library Flow
      • YELLOWSTONE RIVER CUMULATIVE EFFECTS ANALYSIS Flow
    • POINTS OF MANY CONNECTIONS
    • QUEST Guest Art Facilitator
    • ALTITUDE 3123 >
      • EVENTS Altitude 3123
  • CURATORIAL
    • CHINA Half the Sky: Intersections in Social Practice Art, Luxun Academy of Fine Arts, Shenyang 2014 >
      • ART & ARTISTS/CHINA Half the Sky
      • ART & ARTISTS/US Half the Sky
      • CULTURAL and COMMUNITY INTERACTIONS
      • DELEGATES
      • ESSAYS & ESSAYISTS
      • BLOG Half the Sky
    • UNDOCUMENTED Difference in America Today
    • GUTFREUND CORNETT ART
    • SOUTH KOREA Woman Body Seoul and Gwangju 2012
    • MATRIXXMODULATION Jon Lodge
    • PLANNED PARENTHOOD A Celebration of Expression: An Evening of Wine, Women and Art
    • WOMEN DO IT! Traveling Postcard Exhibition >
      • WOMEN DO IT Gallery
  • WRITING
    • ESSAYS
    • JOURNALISM
    • BLOG Memories and Musings
    • OTHER WRITING
  • ABOUT
    • EXHIBITIONS and EVENTS
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