#memoriesat60 #communityengagedart
Softness Overcoming Hardness
Angela Davis, Keynote Speaker
#OpenEngagement Conference, Oakland
May 1st, International Worker's Day, 2016
[Angela starts at 11:30, this video is long, but so good, so settle in, it's Angela Davis! and it includes Q&A at the end]
#AngelaDavis starts with the recognition that we were on the colonized land of the Ohlone, that the Oakland area is the foundation of the #BlackPanthers movement (50 years hence), home of #Occupy, #BlackLivesMatter, #transgender movements, #restorativejustice, #foodsovereignty and so much more.
The title of this conference, which focuses on #sociallyengagedart, was Power (with the palpable and obvious subtext of privilege). It was necessarily uncomfortable and and educational and expanding and connecting.
Angela adds, of course, Power ... To The People. She talks about artists who have been inspired by the Black Power movement and how this inspired others to make art and make change. How art plays a pivotal role in changing the consciousness and drives of those who can change the world. Art does, indeed, change the status quo.
To my delight, she talks about #DollarBrand and #AbdullahIbrahim, to whose music I was introduced in the 80s, (yes, in retrospect I see the colonial connection) when I was helping friends renovate a 1700s home in Long Swamp, PA and we spent our late nights listening to their eclectic music collection. Abdullah’s music remains soulful to me today, particularly, "Soweto" (link in comments).
She talked about the importance of softness in overcoming hardness, that softness is a place of reflection, imagination, and possibility. That we must continue to move.

#memoriesat60 #communityengagedart
Creating Space for Dialogue
Conflict Kitchen
I am finishing up my home-made baba ganouj this morning and reflecting on the thought-provoking, conversation-inducing presentation (and delicious Palestinian food) by the staff (the director is Jewish) of @conflictkitchen during the Open Engagement Conference in Pittsburgh in 2015.
We talked about how important it is to keep dialogue open between people, even if governments and organizations find it politically incorrect. And how the sharing of food during can assist in these conversations, such as the meals the Half the Sky: Intersections of Social Practice Art delegates shared as we discussed, processed and problem-solved our time and interactions in China.[Mido Lee, Rosemary Meza DesPlas, Christine Giancola, Priscilla Otani and I presented a panel at Open Engagement, "Considerations and Challenges: Socially-Engaged Art in China" about our Half the Sky project in Shenyang in 2014.]
"Conflict Kitchen is a restaurant that only serves cuisine from countries with which the United States is in conflict. Each Conflict Kitchen iteration is augmented by events, performances, publications, and discussions that seek to expand the engagement the public has with the culture, politics, and issues at stake within the focus region. The restaurant rotates identities in relation to current geopolitical events.... These diverse perspectives reflect a nuanced range of thought within each country and serves to instigate questioning, conversation, and debate with our customers."
​https://www.conflictkitchen.org/
Photo courtesy of conflict kitchen website

#memoriesat60 #communityengagedart
FLOW: Interactive Exhibition and Community Project
Northcutt Steele Gallery, Montana State University Billings, January 28 - March 18, 2016
It began with a big, but, initially, manageable goal, given our backgrounds - to bring more people into the gallery and to engage them across departments, across the city and between the two institutes of higher education in Billings around the theme of water issues and focused on the Yellowstone River. Early on, we consulted MSU Billings' long-range plans, goals, & strategies and ... Leanne K. Gilbertson, Ph.D of Art History and Nothcutt Steele Gallery Director at MSU Billings and me, an artist curator with a passion for community engagement, were soon neck deep in conversations with potential partners, who were enthusiastic and willing to sign on.
The gallery was set up as a laboratory and nexus for exploration and dialogue with an exhibition of my Grottoes - mixed media wall sculptures with video meditations on water - and juried works by students and alumni. We commissioned two students, Bonny Beth Luhman and Ariel Rebecca Grosfield, to create an animated short about river users. Art Ed students discussed water issues with the Girl Scouts, Boys & Girls and other K-8 students, who then made 5 x 7 panels with their responses. Presentation of research by Rocky Mountain College students. Precious McKenzie, teacher of English at Rocky Mountain College, donated her water-themed children's books to the MSU Billings library, which became the anchor for pre-school readings there. Poetry and jazz students held a water-themed reading and improvisation night. Northern Plains Resource Council and Eric Warren presented his film "Mixing Oil and Water" featuring conversations about oil & gas development along the river. Dr. Susan Gilbertz offered a course for students from both campus about the findings from the Yellowstone River Cultural Inventory, which was part of the 16 year, most comprehensive study in the world on a watershed, our Yellowstone River, which was the basis for our keynote symposium, which included Dr. Gilbertz' students, some of the key scientists of that study (Warren Kellogg, Burt Williams and Kayhan Ostovar) as well as a beautiful argument for personhood rights for rivers by Carrie La Seur.
The amount of creativity and information shared and the community of collaborators, brainstormers, participants and supporters was a heart-warming overlay and reward for the intensity of coordination: Gerard Baker, Sue Beug, Karin Eilertsen Calabrese, Reno Charette, Michelle Dyk, Teresa Erickson, Megan Fetters, Samantha Finch, Leanne Gilbertson, Ph.D, Susan Gilbertz, Ph.D, Ilene Goddard, Ariel Grossfield, Tami Haaland, Ruby Hahn, Joy Crissey Honea, Hannah Hostetter, Warren Kellogg, Luke Kestner, Korilynn Kessler, Carrie La Seur, Ph.D, J.D., Jodi Lightner, Bonny Beth Luhman, Larry Mayer, Precious McKenzie, Joel Miller, Patrick Mueller, Kelsey Nix, Carolyn Ostby, Kayhan Ostovar, Mara Pierce, Ph.D., Megan Poulette, Tabetha Rindahl, Brent Roberts, John J. Roberts, Maria Selvig, Stephanie Slavin, Rebecca Summers, Peter Pete Tolton, Patricia Vettel-Becker, Ph.D., Eric Warren, Burt Williams, Patrick Williams, Dylan Woods and so many more who came to share their thoughts, listen and expand the dialogue around water issues, rights, access and conservation in our region.
Project overview page with links to further details at https://www.sherricornett.com/flow-interactive-exhibition-and-community-project.html

#memoriesat60
The Messiness, Democracy and Hope of Civil Society
The 64th Annual United Nations DPI/NGO Conference:
Sustainable Societies, Responsive Citizens
Bonn, Germany, 3-5 September 2011
Priscilla Otani, president-elect for our Women's Caucus for Art, and I attended as representatives of our NGO. Here is part of my report:
The happy sounds of many languages filled the six floors of the Maritim Hotel atrium as the conference began. At the Opening Ceremony, I found myself surrounded by businesswomen from China, people in niqab, saris, and caftans, youth, and many nuns (Catholic, Buddhist, Hindi) some of the representatives of more than 400 NGOs in attendance. We quickly coalesced into the "we the peoples" that starts the Charter of the United Nations. Preamble to the Charter of the United Nations.
I soon had a sense of both the messiness and wonder of civil society and how years of UN conferences have distilled a method for collecting the varied perspectives, views and recommendations asked for, in this case, by the General Assembly in preparation for the Rio+20 Conference on Sustainable Development scheduled for June 2012 in Brazil. At each of the Roundtables, to which all were invited, high-level experts spoke on the topics after which respondents from government reflected back or challenged them on their thoughts. Four to five questions at a time were then taken from the audience and the panel responded. UN staff recorded each of these discussions. The same process, minus the respondents, occurred in the many workshops. Side events gave even more intimate discussion opportunities as did the exhibits, both of which WCA was a part. UN Conference board members worked tirelessly throughout the three days to add to, edit and condense all of this information into the final declaration that reflected the expectations of NGO participants and civil society leaders for the governments attending Rio+20. The declaration was openly discussed for a final time at the closing. Individuals were able to come to the mike, ask for word changes, minor deletions and additions, before the assembly was asked, by show of applause, to accept or reject the declaration before it was given to the German government for presentation to the U.N. General Assembly.
We need to TEACH PEOPLE FLEXIBILITY - how they can do best with current knowledge and how to change as new information arises, how to deal with a tomorrow that is so different from today without getting lost and fearful.
We no longer have TIME to polarize. We need to end cynicism. We need to celebrate courage and innovation.
Felix Dodds, Chair, 64th DPI/NGO Conference - "THE FUTURE IS NOT A GIFT, it is an achievement. The future does not belong to those who are content with today or to those who lack the courage to force change that is needed." Everyone needs to mobilize, volunteer and take action. At closing ceremony, Flavia Pansieri, Head of the Consultative Forum of the Heads of UN Agencies in Germany, asked everyone who has engaged in a cause without expectation of payment to stand - 100% stood. The spirit of VOLUNTARISM in participants from developing and developed countries alike was huge. "Of course we volunteer, why wouldn't we do our part for the future of the world."
Not everything is worse. Many positive accomplishments are not picked up by the world's media.
The eco village concept - conscious design for long-term sustainability and resilience - is rapidly expanding with over 600 established eco villages around the world and 100+ in the U.S. The country of Senegal is committing a large portion of its budget to transforming struggling traditional villages into ecovillages. Here is the story about Senegal's eco villages
Fair Trade Towns - communities in which people and organizations use their everyday choices to increase sales of Fairtrade products and bring about positive change for farmers and workers in developing countries - are also expanding with over 1000 internationally and 23 in the U.S. as of April. http://www.fairtradetowns.org
To combat the serious lack of drinking water in areas of western China, the Water Cellars for Mothers Project developed and built water collecting devices, each holding a year's worth of rain water for one family. Over 1 million people benefited from this project in 2010 Water Cellars for Mothers Project
#womenscaucusforart

#COMMUNITYENGAGEDART
S.A. Bachman/Neda Moridpour/Louder Than Words
"LOUDER THAN WORDS is a cross-cultural, intergenerational art collective that targets sexual assault, domestic violence, women and migration, LGBTQ+ equality, and jail reform ... We strive to ignite civic dialogue, unravel obstacles, reorder entrenched cultural gridlock, and generate languages of critique and possibility."
Their presentation of "These Walls Can Talk" during "Half the Sky: Intersections in Social Practice Art", which I directed in China on behalf of the Women's Caucus for Art, was a powerful, interactive event with Chinese students and faculty and addressed "domestic violence. It alludes to domestic space by juxtaposing wallpaper with information on gender violence, video, and “don’t remain silent” stickers. The wallpaper design incorporates a number of common objects that are frequently used to inflict injury: fists, knives, belts, guns and irons. Conversely, the video presents famous world leaders including President Obama and King Abdullah of Saudi Arabia reciting Jackson Katz’s 10 Things Men Can Do To Prevent Gender Violence."
As socially-engaged artists, activists and educators, S.A and Iranian-born Neda, continue to develop community-engaged projects, including:
"Women on the Move" " transforms a 26-foot truck into a mobile billboard and resource center to address sexual assault, harassment and domestic violence" and "Vehicle for Change" which will transform" a 26-ft truck into a mobile billboard and resource center addressing jail reform and incarceration alternatives in L.A. County. The truck will travel throughout L.A County promoting passage of the 2020 ballot initiative, registering voters, educating, participating in healing justice events."
A link to a video about them is posted in the comments.
Photos by Christine Giancola and courtesy of the Louder Than Words website.

Free To Be Me: Diversity at MSUB
Part of For Freedoms 50 States Initiative Billings
Saturday, September 15, 2018  (2:30 – 4:30)
MSUBillings Student Union Building, Rooms A & B (lower floor and east through the cafeteria) and Free Speech Lawn
1500 University Dr, Billings, MT

• Facilitator: Reverend Dwight Welch/United Campus Ministry, 

• Community discussion about discoveries made while sharing our stories and identities facilitated by Rev. Dwight R. Welch of United Campus Ministry, and Parsa Hajy Abbasi (student from Iran), Tristen Belgrade (student from Rocky Boy (student from Chippewa-Cree tribe), Morgan Syring (MSUB Art Club Collective), Mitch Bohn (speaking from disabled student perspective), Jen Lynn (MSUB Women's and Gender Studies) and Patricia Vettel-Becker (MSUB Art Department Chair). 
• Parsa spoke about learning to acknowledge, not oppose, when people misunderstood him because of his language and that he chose to become an ambassador for his culture. Tristen spoke about learning to expect racism, but not to let it stop him from his goals, despite historical efforts to make his people extinct. Morgan grew up in small towns with a single mother who emphasized supportive, civil listening and the importance of accumulating knowledge of others, Mitch told us about how fellow students expected that he must be in special education because he is in a wheelchair, but that accessibility is growing on campus. Patricia and Jen said that, since 2016, there is more intentional inclusivity and efforts to be more vocal for humanity and human rights. Dwight suggested we watch MLK's "What is Your Life's Blueprint" speech to middle school students. 
• Inspired by politician’s campaign signage, For Freedoms lawn signs were available for  participants to produce and publicly display their own definition of freedom by filling out signs that say: Freedom Of..., Freedom From..., Freedom For..., and Freedom To…
•  Discussion followed by creation and installation of Freedom signs on the Free Speech Lawn at MSUB
• Facilitation assisted by Sherri Cornett (Artist/Project Director, for Freedoms 50 State Initiative Billings)

Native American Race Relations and Healing Series “For Freedoms”
Part of For Freedoms 50 States Initiative Billings 
Thursday, September 13, 2018, 6:30 – 8:30 p.m.,
Billings Public Library
510 N Broadway, Billings, MT

• Moderator: Russell Rowland, Co-Director of this series and main contact for this event, [email protected].
• Russell Rowland led a discussion with former Northern Cheyenne Tribal Chairman and current tribal judge John Robinson,  a member of the Kit Fox Warrior Society and veteran of the United States Army as well as a participant at Wounded Knee and the occupation of Alcatraz, and Carolyn Pease-Lopez, who represented District 42 of the Montana State Legislature for four terms, where she serves on the Agriculture, Human Services, Judiciary, and Legislative Administration committees. She was recently instrumental in preventing the passage of House Bill 615, which would have allowed county clerks to refuse to issue marriage licenses to gay couples, on the grounds that this kind of discrimination would spread to the way she and her people are treated as well.She is a native of Crow Agency, 

Fitzgerald Clark reported the following live on Facebook:

• John Robinson pointed out that the separation of migrant children at the border reminds him of the separation of native children from their families at boarding schools and all of these children will face massive PTSD as a result just like generations of native children did.
• One big myth about Native Americans is that they all receive free money from the government. This is not true!
  
•  Carolyn Lopez spoke about intergenerational trauma and how it can have physical and psychological effects. There is a great need for trained trauma informed counselors and professionals in Indian country. Especially to work with the children. She refers to these folks as "people whisperers".
  
• Many people don't know that you can find colleges on tribal reservations. Chief Dull Knife college is in Northern Cheyenne and Little Big Horn college is on the Crow reservation.
  
•  Bethany Yellow Tail is a Crow and Northern Cheyenne woman who has made a splash in the fashion world.
  
• Carolyn pointed out that while there are seven reservations in Montana there are actually eleven tribes.
  
• John spoke about the quandary of well intentioned people coming onto the reservation without any understanding of tribal culture and more often than not failing.
  
• ​Carolyn Lopez speaks about the importance of Native languages in preserving Native cultures.
  

FLOW: Interactive Exhibition and Community Project

Another big project ... another endeavor to encapsulate the many woven together parts of rewarding and meaningful community engagement. 

It began with a big, but, initially, manageable goal, given our backgrounds - to bring more people into the gallery and to engage them across departments, across the city and between the two institutes of higher education in Billings around the theme of water issues and focused on the Yellowstone River. Early on, we consulted MSU Billings' long-range plans, goals, & strategies and ... Leanne Gilbertson, a Ph.D of Art History and Nothcutt Steele Gallery Director at MSU Billings and me, an artist curator with a passion for community engagement, were soon neck deep in conversations with potential partners, who were enthusiastic and willing to sign on. 

The gallery was set up as a laboratory and nexus for exploration and dialogue with an exhibition of my Grottoes - mixed media wall sculptures with video meditations on water - and juried works by students and alumni. We commissioned two students, Bonny  Beth Luhman and Ariel Grossfield, to create an animated short about river users. Art Ed students discussed water issues with the Girl Scouts, Boys & Girls and other K-8 students, who then made 5 x 7 panels with their responses. Presentation of research by Rocky Mountain College students.  Precious MacKenzie, teacher of English at Rocky Mountain College, donated her water-themed children's books to the MSU Billings library, which became the anchor for pre-school readings there.  Poetry and jazz students held a water-themed reading and improvisation night. Northern Plains Resource Council and Eric Warren presented his film "Mixing Oil and Water" featuring conversations about oil & gas development along the river. Dr. Susan Gilbertz offered a course for students from both campus about the findings from the Yellowstone River Cultural Inventory, which was part of the 16 year, most comprehensive study in the world on a watershed, our Yellowstone River, which was the basis for our keynote symposium, which included Dr. Gilbertz' students, some of the key scientists of that study (Warren Kellogg, Burt Williams and Kayhan Ostovar)  as well as a beautiful argument for personhood rights for rivers. 

The amount of creativity and information shared and the community of collaborators, brainstormers, participants and supporters was a heart-warming overlay and reward for the intensity of coordination:  Gerard Baker, Sue Beug, Karin Calabrese, Reno Charette, Michelle Dyk, Teresa Erickson, Megan Fetters, Samantha Finch, Karen Gutfreund, Leanne Gilbertson, Ph.D, Susan Gilbertz, Ph.D, Ilene Goddard, Ariel Grossfield, Tami Haaland, Ruby Hahn, Joy Honea, Hannah Hostetter, Warren Kellogg, Luke Kestner, Korilynn Kessler, Carrie La Seur, Ph.D, J.D., Jodi Lightner, Bonny Beth Luhman, Larry Mayer, Precious McKenzie, Joel Miller, Patrick Mueller, Kelsey Nix, Carolyn Ostby, Kayhan Ostovar, Mara Pierce, Ph.D., Megan Poulette, Tabetha Rindahl, Brent Roberts, John Roberts, Maria Selvig, Stephanie Slavin, Rebecca Summers, Peter Tolton, Patricia Vettel-Becker, Ph.D., Eric Warren, Burt Williams, Patrick Williams, Dylan Woods and so many more who came to share their thoughts, listen and expand the dialogue around water issues, rights, access and conservation in our region.  

Project overview page with links to further details at https://www.sherricornett.com/flow-interactive-exhibition-and-community-project.html

I am finishing up my home-made baba ganouj this morning and reflecting on the thought-provoking, conversation-inducing presentation (and delicious Palestinian food) by the staff (the director is Jewish) of #conflictkitchen during the Open Engagement conference in Pittsburgh last month. About how important it is to keep dialogue open between people, even if governments and organizations find it politically incorrect. And how the sharing of food during can assist in these conversations, such as the meals the Half the Sky: Intersections of Social Practice Art delegates shared as we discussed, processed and problem-solved our time and interactions in China.

"Conflict Kitchen is a restaurant that only serves cuisine from countries with which the United States is in conflict. Each Conflict Kitchen iteration is augmented by events, performances, publications, and discussions that seek to expand the engagement the public has with the culture, politics, and issues at stake within the focus region. The restaurant rotates identities in relation to current geopolitical events.... These diverse perspectives reflect a nuanced range of thought within each country and serves to instigate questioning, conversation, and debate with our customers."

​https://www.conflictkitchen.org/

Photo courtesy of conflict kitchen website