#EarthDay #memoriesat60 #gratitude
Today, thinking about the 50th anniversary of Earth Day, I remembered that I had copies of "Earthwards" somewhere and... I found them. Steve and I embraced the environmentally conscious culture in Portland when we moved there, with our one year old son, in 1990 ... the curbside recycling of practically everything, the numerous environmental nonprofits and opportunities to celebrate the diverse regional ecosystems, the gorgeous mountains and waterways and ocean. When Earth Mercantile, which carried the broadest selected of cruelty-free, minimally-packaged, enviro-friendly products and resources in the area, opened within biking distance of our home, I proposed a barter with the owner. In exchange for store products, which I would not have been able to otherwise afford, I would start, edit and illustrate a newspaper that would create a platform for the mission and message of Portland's environmental organizations and events, action alerts, ballot measure details, and best use practices for things such as vermiculture, alternative energy, low V.O.C paints, water conservation and various products in the store. Interviewing folks and reading the submissions of local leaders was endlessly fascinating and a source for much hope. Almost thirty years later (it is hard to believe it has been this long!), I have to admit that much of the information shared in the issues of "Earthwards" has yet to be implemented on a large enough scale to make the level of difference we imagined at that time, but ... those efforts continue to grow and build and, today particularly, is a time to celebrate the increasing elevation mindfulness and consciousness of all those who are grateful for and cherish our beautiful and bountiful Earth.
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#memoriesat60 #communityengagedart
FLOW: Interactive Exhibition and Community Project Northcutt Steele Gallery, Montana State University Billings, January 28 - March 18, 2016 It began with a big, but, initially, manageable goal, given our backgrounds - to bring more people into the gallery and to engage them across departments, across the city and between the two institutes of higher education in Billings around the theme of water issues and focused on the Yellowstone River. Early on, we consulted MSU Billings' long-range plans, goals, & strategies and ... Leanne K. Gilbertson, Ph.D of Art History and Nothcutt Steele Gallery Director at MSU Billings and me, an artist curator with a passion for community engagement, were soon neck deep in conversations with potential partners, who were enthusiastic and willing to sign on. The gallery was set up as a laboratory and nexus for exploration and dialogue with an exhibition of my Grottoes - mixed media wall sculptures with video meditations on water - and juried works by students and alumni. We commissioned two students, Bonny Beth Luhman and Ariel Rebecca Grosfield, to create an animated short about river users. Art Ed students discussed water issues with the Girl Scouts, Boys & Girls and other K-8 students, who then made 5 x 7 panels with their responses. Presentation of research by Rocky Mountain College students. Precious McKenzie, teacher of English at Rocky Mountain College, donated her water-themed children's books to the MSU Billings library, which became the anchor for pre-school readings there. Poetry and jazz students held a water-themed reading and improvisation night. Northern Plains Resource Council and Eric Warren presented his film "Mixing Oil and Water" featuring conversations about oil & gas development along the river. Dr. Susan Gilbertz offered a course for students from both campus about the findings from the Yellowstone River Cultural Inventory, which was part of the 16 year, most comprehensive study in the world on a watershed, our Yellowstone River, which was the basis for our keynote symposium, which included Dr. Gilbertz' students, some of the key scientists of that study (Warren Kellogg, Burt Williams and Kayhan Ostovar) as well as a beautiful argument for personhood rights for rivers by Carrie La Seur. The amount of creativity and information shared and the community of collaborators, brainstormers, participants and supporters was a heart-warming overlay and reward for the intensity of coordination: Gerard Baker, Sue Beug, Karin Eilertsen Calabrese, Reno Charette, Michelle Dyk, Teresa Erickson, Megan Fetters, Samantha Finch, Leanne Gilbertson, Ph.D, Susan Gilbertz, Ph.D, Ilene Goddard, Ariel Grossfield, Tami Haaland, Ruby Hahn, Joy Crissey Honea, Hannah Hostetter, Warren Kellogg, Luke Kestner, Korilynn Kessler, Carrie La Seur, Ph.D, J.D., Jodi Lightner, Bonny Beth Luhman, Larry Mayer, Precious McKenzie, Joel Miller, Patrick Mueller, Kelsey Nix, Carolyn Ostby, Kayhan Ostovar, Mara Pierce, Ph.D., Megan Poulette, Tabetha Rindahl, Brent Roberts, John J. Roberts, Maria Selvig, Stephanie Slavin, Rebecca Summers, Peter Pete Tolton, Patricia Vettel-Becker, Ph.D., Eric Warren, Burt Williams, Patrick Williams, Dylan Woods and so many more who came to share their thoughts, listen and expand the dialogue around water issues, rights, access and conservation in our region. Project overview page with links to further details at https://www.sherricornett.com/flow-interactive-exhibition-and-community-project.html NYC area friends: the World Premiere of my son Collin Kriner and Josh Murphy (Liars & Thieves) doc for Patagonia is this Thursday at Tribeca! It is getting some serious attention. Wish I could be there!
"Artifishal is a film about people, rivers, and the fight for the future of wild fish and the environment that supports them. It explores wild salmon’s slide toward extinction, threats posed by fish hatcheries and fish farms, and our continued loss of faith in nature." #artifishal Article in the Gardian: https://www.theguardian.com/film/2019/may/08/artifishal-film-fish-salmon-climate-change?fbclid=IwAR1LSbRxEk2OPIqWi9pYy-CXkjwFDOIhzzZHXZVeASyP_QIVBKiZV9siBK8 In the 50 degree range, the early sign of spring in our yard, the oddly, but propitiously placed, by a previous owner, pussy willow is on the verge of busting out. I cut it for my mother-in-law, whose birthday is tomorrow... an annual tradition. At the same time, I am creating a new public sculpture. My thoughts run as follows: "This is a thicket, a willow thicket, a red twig dogwood thicket, ubiquitous to our creeks and our river... broken, nibbled branches softened by clematis vine and the nests, pods and egg sacks that tie together/bind branches of the thicket and create places for germination within the thicket.... places for incubation, symbolic of our communities, made up of individuals, families, cultures, coming together, binding together, to create our larger collective community."
Sculpture in the Wild in Lincoln, Montana... All of these works are reactions to the land, the space, the environment, the history of the area. International artists in residency with MFA students from U of M. It was fascinating to see and hear about how the community has been engaged in creating this park, supporting it, sustaining it, interacting with it. Kudos to the board, especially to Becky Garland, its president.
Photos: Ceiling of the teepee burner - one of the largest old structures for getting rid of timber shavings and detritus before the invention of particle board and EPA regulations. Now the gathering place at the park and . . . with surprising acoustics. A Gateway of Change (2014) Jorn Ronnau (Denmark) Materials: Ponderosa Pine, goldleaf, stone Height: 5 meters, Length 30 meters, Width 10 meters Chris Drury (UK) Artist-in-Residence 2016 Funded by Kendeda Fund and Tippet Rise Fund Picture Frame Jaakko Pernu (Finland) Material: Spruce/Pine Height: 6.8 metres (23 feet) Tyler Nansen BPSW/ University of Montana Graduate Emerging Artist September 2016 Bat Beacons House of Sky Alan Counihan (Ireland) Materials: Stainless steel, steel, pine Dimensions: 5' x 2.5' x 29' (1.5M x .75M x 8.5M) East West Passage (2015) Mark Jacobs and Sam Clayton UK) Materials: Lodge Pole Pine, Cobblestone DEPTH: 4’6” ,LENGTH: 100FT, WIDTH: 24FT Hill and Valley (2014) Steven Siegel (USA) Material: 30,000 lbs of newspaper, 28 pine lodge poles, 400 pounds of nails. Casey Schachner's "Stringer". Casey was the U of M MFA resident. FLOW: Interactive Exhibition and Community Project
Another big project ... another endeavor to encapsulate the many woven together parts of rewarding and meaningful community engagement. It began with a big, but, initially, manageable goal, given our backgrounds - to bring more people into the gallery and to engage them across departments, across the city and between the two institutes of higher education in Billings around the theme of water issues and focused on the Yellowstone River. Early on, we consulted MSU Billings' long-range plans, goals, & strategies and ... Leanne Gilbertson, a Ph.D of Art History and Nothcutt Steele Gallery Director at MSU Billings and me, an artist curator with a passion for community engagement, were soon neck deep in conversations with potential partners, who were enthusiastic and willing to sign on. The gallery was set up as a laboratory and nexus for exploration and dialogue with an exhibition of my Grottoes - mixed media wall sculptures with video meditations on water - and juried works by students and alumni. We commissioned two students, Bonny Beth Luhman and Ariel Grossfield, to create an animated short about river users. Art Ed students discussed water issues with the Girl Scouts, Boys & Girls and other K-8 students, who then made 5 x 7 panels with their responses. Presentation of research by Rocky Mountain College students. Precious MacKenzie, teacher of English at Rocky Mountain College, donated her water-themed children's books to the MSU Billings library, which became the anchor for pre-school readings there. Poetry and jazz students held a water-themed reading and improvisation night. Northern Plains Resource Council and Eric Warren presented his film "Mixing Oil and Water" featuring conversations about oil & gas development along the river. Dr. Susan Gilbertz offered a course for students from both campus about the findings from the Yellowstone River Cultural Inventory, which was part of the 16 year, most comprehensive study in the world on a watershed, our Yellowstone River, which was the basis for our keynote symposium, which included Dr. Gilbertz' students, some of the key scientists of that study (Warren Kellogg, Burt Williams and Kayhan Ostovar) as well as a beautiful argument for personhood rights for rivers. The amount of creativity and information shared and the community of collaborators, brainstormers, participants and supporters was a heart-warming overlay and reward for the intensity of coordination: Gerard Baker, Sue Beug, Karin Calabrese, Reno Charette, Michelle Dyk, Teresa Erickson, Megan Fetters, Samantha Finch, Karen Gutfreund, Leanne Gilbertson, Ph.D, Susan Gilbertz, Ph.D, Ilene Goddard, Ariel Grossfield, Tami Haaland, Ruby Hahn, Joy Honea, Hannah Hostetter, Warren Kellogg, Luke Kestner, Korilynn Kessler, Carrie La Seur, Ph.D, J.D., Jodi Lightner, Bonny Beth Luhman, Larry Mayer, Precious McKenzie, Joel Miller, Patrick Mueller, Kelsey Nix, Carolyn Ostby, Kayhan Ostovar, Mara Pierce, Ph.D., Megan Poulette, Tabetha Rindahl, Brent Roberts, John Roberts, Maria Selvig, Stephanie Slavin, Rebecca Summers, Peter Tolton, Patricia Vettel-Becker, Ph.D., Eric Warren, Burt Williams, Patrick Williams, Dylan Woods and so many more who came to share their thoughts, listen and expand the dialogue around water issues, rights, access and conservation in our region. Project overview page with links to further details at https://www.sherricornett.com/flow-interactive-exhibition-and-community-project.html The 64th Annual United Nations DPI/NGO Conference:
Sustainable Societies, Responsive Citizens Bonn, Germany, 3-5 September 2011 Priscilla Otani, president-elect for our Women's Caucus for Art, and I attended as representatives of our NGO. CONFERENCE OVERVIEW The happy sounds of many languages filled the six floors of the Maritim Hotel atrium as the conference began. At the Opening Ceremony, I found myself surrounded by businesswomen from China, people in niqab, saris, and caftans, youth, and many nuns (Catholic, Buddhist, Hindi) some of the representatives of more than 400 NGOs in attendance. We quickly coalesced into the "we the peoples" that starts the Charter of the United Nations. Preamble to the Charter of the United Nations Ban Ki-Moon, Secretary-General of the United Nations, via, video, set the tone for the conference. "We have to be prepared to make major changes…in our lifestyles, our economic models, our social organization, and our political life." He talked about "tearing down the walls between the development agenda and the climate agenda." The call to action for this conference was: COMMIT! ENCOURAGE! VOLUNTEER! I soon had a sense of both the messiness and wonder of civil society and how years of UN conferences have distilled a method for collecting the varied perspectives, views and recommendations asked for, in this case, by the General Assembly in preparation for the Rio+20 Conference on Sustainable Development scheduled for June 2012 in Brazil. At each of the Roundtables, to which all were invited, high-level experts spoke on the topics after which respondents from government reflected back or challenged them on their thoughts. Four to five questions at a time were then taken from the audience and the panel responded. UN staff recorded each of these discussions. The same process, minus the respondents, occurred in the many workshops. Side events gave even more intimate discussion opportunities as did the exhibits, both of which WCA was a part. UN Conference board members worked tirelessly throughout the three days to add to, edit and condense all of this information into the final declaration that reflected the expectations of NGO participants and civil society leaders for the governments attending Rio+20. The declaration was openly discussed for a final time at the closing. Individuals were able to come to the mike, ask for word changes, minor deletions and additions, before the assembly was asked, by show of applause, to accept or reject the declaration before it was given to the German government for presentation to the U.N. General Assembly. KEY CONCEPTS The two key foci of the upcoming Rio+20 are green economy and poverty reduction with the aims of increasing corporate social responsibility, abolishing perverse subsidies (nuclear, oil), financing local sustainable development, and increasing transparency, accountability and opportunities for redress. Sustainable development is meeting the needs of the present without compromising the ability of future generations to meet their own needs. Our EMPHASIS needs to be on these FUTURE GENERATIONS and preparing them to be responsive citizens as they will have no choice but to transition to sustainability. |
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