4.7.20 Desert Island with Sarah Vaughan

The summer of 1983, after busting my brain at the University of Houston to graduate with one last semester, 21 credits and two senior theses, I was so thankful for the opportunity to go up to Longswamp, PA (one of those crossroad towns in the hills outside of Allentown) to help the family of Steve’s high school friend Tony renovate a 1700s house into a B&B. The rhythm of sanding, nailing, and painting allowed by brain to decompress. Elsa would cook us amazing meals with ingredients previously unfamiliar to me – fiddlehead ferns, feta cheese, chervil, lemon balm... After dinner, we would often find ourselves sprawled on couches, wending our way through their extensive vinyl collection. Sarah Vaughan’s soul penetrating voice and her songs stayed with me as I worked and I began to yearn to hear her recordings each evening. 

Back in Houston, that next winter, I was employed, had found a CD of Sarah’s “How Long Has This Been Going On?”, was listening to it in my car almost daily, had heard that she was going to play at the Grand 1894 Opera House in Galveston and had discovered the Eastern Airlines middle-of-the-night freight flights that let folks fly very reasonably. Since this was near Steve’s 25th birthday, I connived with Tony to fly him down for the weekend as a surprise to celebrate him and hear Sarah live. I was transfixed by her performance, her range, how she modulated her voice. 

This magic has never dulled, though at some point I gave the CD a break. Her songs are in several of my playlists. When I hear “I’ve Got the World on a String” or “How Long Has This Been Going On?”, my mood is instantly lifted. They are certainly among the songs I sing loudly in my car with lots of head dancing (you may have seen me?) and this recording is helping me get through the home stay version of a desert island.